Time and again the world is the same

1

The objects of our attention - we their

raw eye - under the touch of kiln-thrown fig

ures - her bustled dress cannot be settled

cheaply

Noteworthy appears something involuntar

y - sense retained directly out of “may” - The

strip mall would be opened so that sirens

or the cries have a dance

Exchange stages difference - astonish

ing languges with suspicion - Object

switch directly out of object - the eye

in cowed interrment begins

Does the tendency of my hand writing

the line is distorted into the world

on the beeswax candle and the creek stones

sense murder

2

First out of elements related we

fondly stretch out our arms with a kind of

open assay that colder rousing binds

us - exits only in the air

Figures form constellations - suddenly

in ornamental proximity to

displacement it may be that this question

nested in the abrupt from arms rib-boned

captions frame ages lower windows sep

arated the adjacent system of

mirrors created the illusion that

this thing we are experiencing was

transparent to a body of solid

brass and finally to death and to oth

ers who die - veracity from the table

3

I simply prefer not to enter between

the doorway and the name of generations

But in the interruption he did not

remember simultaneity of before and after

was perception growing ponderously

Every stone I discovered as the sense

of nearness which a little earlier

had still suddenly grew heavy

Not harmony but that whispering as

one gives the constellation which his own

era has formed of impulsively strong

wings conditions of something appears

4

Out of touched those contention of of seems

winks another certain mental things

where we perceive each hand’s eschewing of

event he sees one stone at dawn

The moral force of adumbration and

just as the lover first embraces those

things in which he was never to share - this

boundless engaged discussing

5

What is at stake is like something out of

a wanted weakening - the sense of those present

seemed willing to assert its claim to the

disapproval

Eyes murder the outside has a flair for

fact there strewn present the shape fashion in

strange in reconciliation

What is pleasure - an effort to relieve

the tension between anything that would

threaten - excludes their utterances and

their bodies

6

What concerns us in ambiguous a

cross the sky the axis tense of a daubed

wall is beguilement although smile submerged

eyes will always instigate from transla

tion

I would resemble the porcelain which

I had enveloped for be begins be

guilements imagination simultan

eously the luminous something it

had promised me another travel im

agined in reverse bears oneself orna

mental resistance

7

Time and again the world is the same no

matter yielding somewhat where it stirs in

the thickets of the past hour it is a

hope approaching untouched order

Vivid diminished intensity as

in red the storm caught luminous sense ir

resistibly propels the phenome

non of déjà vu as it has often

been described as hunger set as oblique

axis oblique fatigue indulged

One has only to look at the one to

think to see their reckoning contests us

when he faces

8

Victorian flats with picture windows

precess exotic stasis first bees hum

ming grotesque phenomena from holi

days in exile

There was the encounter of the other

this like double if not blissful few would

be able to guess how sad one

had to be in order to understand

At all one window said like myself is

if not lost but becoming weak of new

concerning the function of thought transla

tion itself what would the world be like

Mannequin digressions partner what cred

ited mouths - what would the world be like o

bedient to lie to or to produce this

word

9

What one is having beliefs about chill

in this shoulder is precisely - chill in

this feeling myself - merely perception

growing ponderously in that after

wards café despite hunger through sluggish

friends’ presence - is precisely this other

Root to thoughts displacement imagines dis

guises the room disguises itself - more

took room darker - diminished expression

imagines apartment corridor wher

ever I looked I saw myself in the

modern urban dwelling

Influence consciously astonishing

perceived moments like double - therefore what

secret heliotropism refused stub

bornly to believe the darkness it cre

ated by the moon’s approach - atmosphere

rudiments compulsive the iride

scent while

10

I did not absorb much of what minutes

only they seem strewn with loss leading to

over in the cellar floor our exit

from the train stylize words here somewhat but

but when I tired of this game I could al

ways find something like two seconds at the

close of the only situations are

still before one searches one seem something

11

How much was promised by the thoughts which were

developing here but those that of its

layers cover me