Sunday, August 30, 2009

The end is a term the hand searches for

The exile’s role is serious itself
it’s to hold dimmed the sky of a 3 am
looking-out on last treetops. This was when
I lifted lost streets

Problems direct opposites vases, bowls,
plates, and boxes where thinking suddenly
stops in a part and is laden with every
ghosting voice and other trimming

Arts divulge the manufactory gauge
their force spent in past appraisals made me
similar to dwelling places, furniture,
and clothes

Elite fabricants generalize the
terrors born of bread and over-determining
every stroke on a pleased solidarity
cease to understand our longing but we

do understand it. Instrumental idols
share industry made clockwork in articulated
lioness air alight in balconies
of cottonwood and brick the howling factory

of the present gone monstrous on behalf
of insurgent futures. Thus each sound and
each moment came to turn falteringly
and mount to the other

Telegraphy unites wealth. Journey in
rustle of a silver rattling Dodge which
followed foreground while its tip remains invisible
snared in the asphalt vanishings of the street

Skyward this storm meted by the agonies
of a near - my hand can still dream of this
move - violently against the grain

It is not the world that makes things possible

Being new to realize the zero-point
emancipated air pollute becoming -
azure appoint inscribed embodiment

Substance the factory of social
policy - essence the civil architecture
of worlds - be given anew to release us
air thus sere appoint

Hesitate between opposite and
system - dystopia control the avant-
garde of empire - sea-rope wound dead's scribe
in bode anent

Glass curfews web the wall of incapacity
science both métier and drug - beg
a night’s release else of issue ere rapt anoint

Glass curfews wall the web of concern
incapacity of outrage parts the - serry
open fount tain of crimes’ simplified bent

Or in genuine relish - or is
sorrow abhorred - doorframe and sill detour
caress - being neutralize the zero-
point - zero-point inscribe embodiment

Glass animal silence

Émigré crickets beat in glass of sagebrush
dusk a damp tattoo high in chitinous whines
where you follow warm hours supposed in animal
twilight

World away scours sour grass spirits books
topsy-turvy full through silence of heavy
orbits and exile flows concerning empire
same actually other detourn caress.

Yet your civil fingers take my wrist long time
lost like itself, idle in animal science
of contiguity and what happens is
that my early – my other –

Emancipated tongues web objectivity,
a glass, momentous backhoe even more performing
animal evidence, I – and prestigious
air pollution mouths Midwest daylight time if
only you were - only.

Dire arch of reified spirit - isolation
of historical substance close later to
consciousness - my magic country my early
my eyes - but there are rhetorics my violence
won’t break on but passing cars break in sheaves of
road-wet dust

If only you were resident in guerrilla
instrumentality - glass, animal silence
divulge possibly human otherness.

Dream, I do mind dying

Commercial air-flows can wound - clearly
address suburban flight - silence can
waste fear

In driving inclemencies rain drops
dead in black amaranth domain of
a moment’s dark dwelling - come mere sea
shell lair full waves scan new wind

Hollywood test-tube revelations
acquired or reveal - the tranquil evil
of horizons hiss silence - estuarine
crows skim west of air

Freeze the question’s bequest a militant
harm perpetuating decline calm
mercy’s isles hear flawed skin’s sound

Despite myself I dwelt the day dire
human chorus designee of the
morrow’s immediate deriving
sigh - oil in sea’s canopy haste offer rare

Deaths the resource of owners disquiet
a wide ecology to neutralize
opacities of every quality.

A world presupposes

One manifest means - text, whiteness
of realism – a world presupposes
a moment – the morrow – only

Guerilla character of the
prestigious regime – one formalist
utopia of the pencil
epoch, manifest backhoe, barricade
of earth-deposits – means own man
of vast mines seamed

Favorable tremor of tongue
sniffs origin – moment trophy
of isolation – o mum minute
the more, our owned lee

Telephone basis, the morrow
school the abstract consciousness of
jargon – unmanned office-tomb wean
only violence, superstructures’
first uneven accumulation
of us – imam anthem oar our
row-tone seas

One emancipated air pollute
becoming – dialectic relationship
unearth – o enamored, manifest,
who – of two – one face
embower in means

Immanent humor, aurora
of an evening: a world presupposes
one manifest means, a moment –
the morrow – only

Thirteen Reductions: This is Just to Say

1

ð ð ð ð ð ð ɪ ɪ ɪ ɪ ɪ ɪ s s s s s s s s s s s z z dʒ ə ə ə ə ə ə ə ə ə ə ə t t t t t t u u e e e ay ay h æ æ æ æ v v v i i i i n n n n p p l l l l m m w w w w w r r r r r r b b b b a k k d d d d č y ɑ ŋ f f f ɔ ɛ g š o o o

2

s s s s s s s s s s s ə ə ə ə ə ə ə ə ə ə ə ð ð ð ð ð ð ɪ ɪ ɪ ɪ ɪ ɪ t t t t t t r r r r r r w w w w w æ æ æ æ i i i i n n n n l l l l b b b b d d d d e e e v v v f f f o o o z z u u p p m m dʒ h a k k č y ɑ ŋ ɔ ɛ

3

s ə ð ɪ t r w æ i n l b d e v f o z u p m dʒ h a k č y ɑ ŋ ɔ ɛ

4

ð ɪ s z ə t u e ay æ v i n p l m w r b a k d f o

5

ð ð ð ð ð ð s s s s s s s s s s s z z dʒ t t t t t t v v v n n n n p p l l l l m m w w w w w r r r r r r b b b b k k d d d d f f f

6

ə ə ə ə ə ə ə ə ə ə ə ɪ ɪ ɪ ɪ ɪ ɪ æ æ æ æ i i i i e e e o o o u u

7

dʒ h a k č y ɑ ŋ ɔ ɛ g š k

8

dʒ h k č ŋ g š

9

a y ɑ ɔ ɛ

10

hæv wɪč sevɪŋ fərgɪv dəlɪšəs

11

aysbɑks yu fɔr brɛkfəst

12

ðɪs ðə ðæt ðə ðe ɪz ɪn wɪč sevɪŋ fərgɪv dəlɪšəs ðɪs dʒəst aysbɑks sevɪŋ dəlɪšəs so swit so ɪz pləmz dʒəst pləmz wər prɑbəbli brɛkfəst fərgɪv wər dəlɪšəs dʒəst tu itən ðæt swit tu yu se sevɪŋ ðe ay aysbɑks

hæv ðæt ænd ænd hæv sevɪŋ fərgɪv itən prɑbəbli mi swit itən ɪn ænd ænd pləmz prɑbəbli pləmz prɑbəbli dəlɪšəs kold pləmz mi wər wɪč wər wər swit wər wər prɑbəbli fɔr brɛkfəst wər fərgɪv aysbɑks brɛkfəst prɑbəbli aysbɑks brɛkfəst kold ænd dəlɪšəs ænd kold fɔr brɛkfəst fərgɪv

so so kold

13

ðɪs ɪz dʒəst tu se

ay hæv itən ðə pləmz ðæt wər ɪn ðə aysbɑks ænd wɪč
yu wər pr
ɑbəbli sevɪŋ fɔr brɛkfəst fərgɪv mi ðe wər dəlɪšəs so swit ænd so kold